Inventing abstraction 1910-1925 : how a radical idea changed modern art

"Inventing Abstraction 1910-1925" explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.

著者
Dickerman, Leah、 Bois, Yve-Alain (Harvard University)、 Chlenova, Masha、Affron Matthew
出版社
Thames & Hudson;Museum of Modern Art
発売日
2012年1月発売
価格
価格未定(税込・書誌情報提供:openBD)
ISBN
9780500239025

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