2014年4月25日発売の新刊一覧

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該当件数: 2

2014-04-25

Young Widower : A Memoir

John W. Evans was twenty-nine years old and his wife, Katie, was thirty. They had met in the Peace Corps in Bangladesh, taught in Chicago, studied in Miami and were working for a year in Romania when they set off with friends to hike into the Carpathian Mountains. In an instant their life together was shattered. Katie became separated from the group. When Evans finally found her, he could only watch helplessly as she was mauled to death by a brown bear. In such a love story, such a life story, how could a person ever move forward? That is the question Evans, traumatised and restless, confronts in this book as he learns the language of grief, the rhetoric of survival and the contrary algorithms of holding fast and letting go. His memories of Katie and their time together, and the strangeness of his life with her family in the year after her death, create an unsentimental but deeply moving picture of loss, the brutality of nature and the unfairness of needing to narrate a story that nothing can prepare a person to tell. Told with unyielding witness, elegance and care, Young Widower is a heartbreaking account of a senseless tragedy and the persistence of grief in a young person's life.

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    Ring Shout, Wheel About : The Racial Politics of Music and Dance in North American Slavery

    In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.

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